My approach for this project was to achieve a sense of characteristic minimalism. I wanted the sound to feel like an active character but not take up too much space. For example, recording bricks for Eugene's footsteps or a crystal tapping glass for Evelyn's. The goal was to blend the sound design elements within the musical elements so they felt one in the same. Sleeping in a tent on a mountain is a short synth phrase and unfolding crinkled paper or finding God is a foreboding piano progression and sliding a wooden stick.